Lot 085 — Blue Rooms, Ochre Board
Lot 085 — Blue Rooms, Ochre Board - Image 2
Lot 085 — Blue Rooms, Ochre Board - Image 3
Lot 085 — Blue Rooms, Ochre Board - Image 4
Lot 085 — Blue Rooms, Ochre Board - Image 5

Lot 085 — Blue Rooms, Ochre Board

Abstract by Charlie Burns with blue blocks and ochre background on board.

Artist
Charlie Burns
Dimensions
approx. 24 × 30 in
Materials
Acrylic on board, unframed
From the Captain's Log

Yeah, this is just another piece by Charlie Burns. Some blue blocks, an ochre background, with some black paint and markers outlining some of the objects. Colorful, interesting. It's on a wooden board.

— The Captain, Whaleworx

On the block, friend

Open bidding

Opening bid

$
Name the most you'd pay. We bid for you, just enough to stay in front, like eBay. Nobody sees your max, not even Captain Nemo.

How the bidding works (the short version of the Articles)
  • The first bid starts a 7-day clock. When it hits zero, the top bidder wins.
  • Enter your max. The price only climbs as far as needed to keep you in front, so you may win for less.
  • Each bid has to beat the price by a small step. Ties go to whoever bid first.
  • Some pieces carry a reserve, a minimum price kept secret. If bidding ends below it, the piece doesn't sell. The box tells you if it's met.
  • A bid in the last 5 minutes resets the clock to 5 minutes. No sniping.
  • Win, and we email a pay link. You have 3 days to pay. Pickup is at the South Loop dock.
  • A bid is a promise to buy. Please bid only if you mean it.

Read the full Articles

The Deckhand's soundings

What's it worth?

Taking a squint at it...

An estimate from the photos and description, not an appraisal and not a reserve. Bid what it is worth to you; the sea sets no prices and neither do we.

SKU: WW-085 Category:

Description

This abstract piece by Charlie Burns is painted on a wooden board. It features blue blocks set against an ochre background, with black paint and markers outlining various forms. The bold use of color and line creates a dynamic composition.

The work is unframed, allowing the viewer to appreciate the texture of the board and the artist’s technique. A close inspection reveals the brushwork and the interplay of colors. It’s like catching a glimpse of rooms from a passing L train on the Red Line.

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